Lawrence Weschler
Lawrence Weschler was for over twenty years a staff writer at The New Yorker, where his work shuttled between political tragedies and cultural comedies, and then the director, now emeritus, of the NY Institute for the Humanities at NYU and concurrently the artistic director, also now emeritus, of the Chicago Humanities Festival. He continues to write regularly for the likes of Vanity Fair, The Atlantic, the New York Times Magazine, The Nation, McSweeneys and The Believer. His over twenty books include Seeing is Forgetting the Name of the Thing One Sees (on light and space artist Robert Irwin). Mr Wilson’s Cabinet of Wonder (on LA’s Museum of Jurassic Technology), Vermeer in Bosnia, and more recently, a biographical memoir chronicling his thirty five year friendship with the neurolgist Oliver Sacks, And How are You, Doctor Sacks?
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Jay Lynn (formerly Ramiro) Gomez
10:00 AM PDT
1:00 PM EDT -
When We Cease To Understand The World
4:30 PM PDT
7:30 PM EDT -
The Uncanny Mathematics Udergirding The Egyptian Pyramids
9 AM PDT
12 PM EDT -
Weschler in Conversation with Ken Gonzales-Day
On The Historical Reality and Artistic Representation of Lynchings12:00 PM EDT
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Weschler & Bob Garfield consider
E M Forster’s uncannily prescient 1909 story,
“The Machine Stops.”12:00 PM EDT
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Rhoda Rosen with members of Chicago’s Red Line Service community discuss Grappling with and engaging the cultural implications of homelessness
12:00 PM EDT
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Artist and Disability Activist Riva Lehrer in conversation with Lawrence Weschler
03:00 PM EDT
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Walter Murch explores The Rampancy of Golden Ratios across Faces and Screens in conversation with Lawrence Weschler
03:00 PM EDT / 08:00 PM BST
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Towards a Holographic Panoptics of the Mind,
Or: What on Earth is That Thing?8 PM PDT (11 PM EDT)